i LOVE it when artists are cinematic. they speak more with their artistic choices versus the plot (fujimoto and his work w csm kinda reminds me of this, too), and i think it speaks so well when we follow this type of MC. like when in ch12 the backdrop suddenly becomes all TV static, and we just see nothing but MC's flat stare and the words of his coworker, like holy shit i could FEEL that. like when you're SO done and angry and you can't even do anything about it, and all you can hear is the ringing in your ears with the only clear audio and visual being the fucking words coming out of someone's mouth, like i could HEAR that white noise.
weirdly enough, for an abrupt ending that sucks ass, it's still somehow as satisfying as it could've been for smth that got cut. cuz like, they both got the endings that they deserve: the damn pushover of an MC at least gets to watch their roles get flipped where ML is the one who feels embarrassed while MC does NOT gaf, and ML doesn't even get to feel satisfied in messing w MC cuz he confessed to everything LMAOO. like, at least MC didn't get forced into a rushed relationship the way this seemed to be going.










i wonder if the betrayed demonic cult leader and/or the divine physician’s master who mentioned wanting to repay his life of bloodshed are related to the cheon dude from the modern world (the strongest dude/grandfather of the sharp eyebrows boss)
bc 40ish yrs ago, when the prisoner wasnt in prison and was apart of a holy war and demonic cult was around the same time the capsule was made, during the year the rifts or whatever happened in the modern world, right? maybe that’s when the first players/monsters were oscillating between the two realities, and now that MC is using the capsule, there’s a connection between the realities again
you know what, you're onto something