As a New Yorker, idk why, but the whole NY city setting, with the lights, busy streets, empty bench on a bridge, everything just contibuted so wonderfully to the whole vibe of this last chapter. What a spectacular journey.
Get out of here khoal. When he was here, you sacrificed him with the blink of eye. When he needed you, you let him down. NOW THAT YOU NEED HIM, your crying crocodile tears, and playing victim. You should be ashamed of yourself. Rubbish.
Yeah, it lost me at this point. It just doesnt make sense for Dojin to now suddenly want the kidnapper, directly after attempting to murder him. I'm over it, just not into the story anymore.
He couldn't remember him well and only just realized how strongly he had felt for him back in highschool. Once reminded, he wanted to try and redo the time they were together.
That’s is not how abuse works. This is such an idealized and romantic version of abuse and trauma it’s practically ridiculous. I understand why the author did it though, likely the backlash of Killing Stalking with delusion fans angered that a happy ending wasn’t possible for the plot’s mains really put a damper on the plot’s popularity. It’s just writing to the desires of the audience. Which is fine, but it doesn’t actually demonstrate any realism given the subject matter of Warehouse.
EXACTLY